Sonata N. The term Sicilian or Siciliana is used for instrumental movements or arias that were popular in the late seventeenth and eighteenth centuries.
Prelude for piano No. 26 in A flat major ("Presto con leggierezza"), KK IVb/7, CT. 191 (B. 86)
In the eighteenth century, many of these movements appeared in the instrumental music — inspired by Italian style. It is a dance movement originating in Sicily. It is sometimes associated with the pastoral spirit and appears as a slow movement in Baroque sonatas of Bach, Handel and Corelli, among others. The origin of the style that could bind to Sicily is extremely difficult to trace. The third movement of the Sonata is contrasting in B flat major.
In fact, in the three sonatas, Bach sets the new tone in the third movement. This movement is a dance movement. Pastoral sense of this movement combined with the pulsating rhythmic structure is a pleasure for the listener and is very refreshing after the intense and emotionally grueling second movement fugue.
Presto tempo suggests a very fast playing. The primary melody returns at measure Measures 5 and 6. Measure 7.
The Well-Tempered Clavier, Book 1
Measure 9. In measures 5—10 a number of thirds, sixths, seconds, and fourths make up the right hand melody. The left hand is an arpeggiated figure sporadically interrupted with minor seconds.
Measures 22 and Measures 34 and Allegro: 1st movt from Sonatina in C, Op. Sonatinas Vol. Rondo Allegretto : 3rd movt from Sonata in F, K. List C Available In 1. Nocturne in G minor, Op. Voiles: No.
Sonatina, Op. Trois Morceaux Pour Piano G. Intermezzo in Bb minor: No.
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Toccata: No. Prelude No. Lullaby, Op. Improvisation No. Berceuse Pozzoli. I Piano Ricordi.